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PIEDMONT BLUES Rising from the
Mississippi Delta region, blues music was quickly integrated into
African American musicians' existing repertoire of rags, dance tunes,
ballads, religious music, and popular songs. By the early 1920s the
fusion of these influences created the so-called East Coast or
Piedmont style characterized by a highly syncopated guitar technique.
Songsters, musicians who could play a variety of tunes and styles,
usually played guitar on their recordings. They found ready audiences
at rural house parties, mining and lumber camps, city street corners,
factory exits, and town dancehalls.
Born in Georgia, William "Bill"
Moore was a barber and farmer in Tappahannock, although he also worked
across the Rappahannock River in Warsaw in Richmond County. "Old
Country Rock" demonstrates Moore's fine playing as the singer implores
family members and fellow dancers to "rock." Steve Tarter and Harry
Gay, from Scott County in Southwest Virginia, used classic blues
lyrics and the 12-bar structure in their 1928 recordings for Victor,
but the duo's highly syncopated and interlocking two-guitar
arrangement reveals the influence of ragtime and string-band music.
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All Recordings
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Tarter and Gay, "Unknown
Blues" (Victor 38017), recorded in Bristol, Tennessee, on November
2, 1928. Re-issued on Ragtime Blues Guitar (Document records,
DOCD-5062). |
William Moore, "Old
Country Rock" (Paramount 12761), recorded in Chicago, ca. January
1928. Re-issued on Ragtime Blues Guitar (Document records,
DOCD-5062).
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